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DON QUIXOTE (non illustrated)By Miguel de Cervantes
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Interspersed among these adventures are a series of stories and moral tales, illustrating the pastoral storytelling tradition in Spain. As well, there are two long, learned disquisitions, delivered by Quixote. The first is a description of the Golden Age of mythology, told during a supper shared with some unlettered goatherds who don't understand a word he says. Later on, Quixote addresses a company during dinner at an inn in a debate about whether the career of arms is superior to that of letters, or vice versa.Throughout the adventures it becomes clear that Quixote, for all his seeming madness, is a mild-mannered, empathetic man, genuine in his concern for chivalric ideals. Although he has agendas of his own, Sancho Panza has come to believe in and show loyalty to his new master. But in spite of all his good intentions, Quixote's quest leads him to be returned home, imprisoned in a cage on an ox-cart by his village priest and barber for Don Quixote's own good.Published in a separate volume, Book Two of Don Quixote's adventures contains a unique feature. Shortly after Book One was published and Cervantes was at work on Book Two, he got word of the appearance of a pirated Book Two in which the author, a writer named Avellaneda, presumed to write further adventures of the knight, going so far as to renounce his service to Dulcinea. Cervantes was at Chapter 59 in Book Two, having Quixote and Panza headed to a jousting tournament in Saragossa. Now, angered by the pirated version, Cervantes sets forth in revenge by having Quixote and Panza eating dinner at an inn and "overhearing" talk of the Avellaneda version. The knight and squire promptly set forth to Barcelona, home of Don Alvaro Tarfe, a character from the Avellaneda book. When they arrive in Barcelona, they kidnap the Avellaneda character.Book Two also introduces the character of Samson Carrasco, a young man from Don Quixote's village. A recent graduate of Salamanca University, Carrasco takes on the earlier roles of the priest and the barber in attempting to rescue and keep Don Quixote away from danger, but Don Quixote is not interested in being "rescued." He is determined to go to Tobosa to pay his respects to Dulcinea. They encounter three peasant girls and by some deception, Sancho hopes that his master will accept one of these as being Dulcinea. When events or appearances run counter to his expectations, Don Quixote tends to believe that enchanters have worked their mischief. In this instance, he believes enchanters have made Dulcinea look like an ugly peasant girl.Don Quixote unexpectedly wins a battle with a knight (The Knight of the Mirrors), who turns out to be none other than Samson Carrasco in disguise. Samson had hoped to get the Don back home to safety by disguising himself as a rival knight. The plan backfires. Shortly afterwards, Don Quixote and Sancho Panza meet the "Knight in the Green Topcoat," which includes the episode of the lion with whom the Don wants to do battle.The major portion of this section is devoted to an unnamed duke and duchess who, with their retainers, play a series of pranks — in the form of burlesque pageants — on Quixote. They also cause injury to both the knight and his squire. Another vital element is the appointment of Sancho Panza as governor of an island — another elaborate prank that ends with Panza renouncing the life of a feudal governor and showing a deep layer of loyalty to Quixote.Once again Samson Carranzo appears, this time at the beach in Barcelona where, in the guise of The Knight of the White Moon, he challenges Don Quixote to battle. Of course, Quixote accepts the challenge and, in the presence of the viceroy and a distinguished company, is roundly defeated. A condition of Quixote's defeat is that he abandon knight errantry for the rest of his life. (non illustrated)
- Amazon Sales Rank: #852069 in eBooks
- Published on: 2010-11-29
- Released on: 2010-11-29
- Format: Kindle eBook
From Publishers Weekly There would seem to be little reason for yet another translation of Don Quixote. Translated into English some 20 times since the novel appeared in two parts in 1605 and 1615, and at least five times in the last half-century, it is currently available in multiple editions (the most recent is the 1999 Norton Critical Edition translated by Burton Raffel). Yet Grossman bravely attempts a fresh rendition of the adventures of the intrepid knight Don Quixote and his humble squire Sancho Panza. As the respected translator of many of Latin America's finest writers (among them Gabriel Garcia Marquez, Carlos Fuentes and Mario Vargas Llosa), she is well suited to the task, and her translation is admirably readable and consistent while managing to retain the vigor, sly humor and colloquial playfulness of the Spanish. Erring on the side of the literal, she isn't afraid to turn out clunky sentences; what she loses in smoothness and elegance she gains in vitality. The text is free of archaisms the contemporary reader will rarely stumble over a word and the footnotes (though rather erratically supplied) are generally helpful. Her version easily bests Raffel's ambitious but eccentric and uneven effort, and though it may not immediately supplant standard translations by J.M. Cohen, Samuel Putnam and Walter Starkie, it should give them a run for their money. Against the odds, Grossman has given us an honest, robust and freshly revelatory Quixote for our times.Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review “Restless Books has just published a handsome new edition of the Ormsby translation with an introduction by Ilan Stavans, the press's publisher. Stavans . . . maps the book's truly astonishing impact on culture, literature, drama, film, and art. Stavans is perfectly suited to hosting this tribute.” —Huffington Post Latino Voices“Such a classic can also, by its very eminence, seem unapproachable and intimidating. If this describes your feeling, then this new edition published by Restless Books could be the one to change your mind . . . This edition comes with some wonderful helps for you to begin to realize why Don Quixote has had such staying power. The story itself is actually very funny, full of biting wit, sarcasm and satire, with nothing left unskewered . . . In addition to an extremely helpful new introduction by prominent Quixote scholar Ilan Stavans, Restless Books has also made several videos, available online, that are flagged in the text and that help explain the themes of the section; they also have an online book group that will have live participation and will then be archived for future reference. Another interesting element in this edition is the uncanny artwork by the artist Eko, which brilliantly fuses both ‘realities’ experienced by the characters . . . Don Quixote of La Mancha well deserves its reputation and its pedestal, and will richly reward readers each time they visit it; this new edition, with its many helpful guides, is a wonderful gateway into the treasures of this classic text.” —San Diego Book Review (Five-Star Review)“Beautiful.” —Literary Hub“A beautiful edition.” —Jonathan Sturgeon, Flavorwire
Language Notes Text: English, Spanish (translation)
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